Author: Bryan-Keyth Wilson
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The Choreopoem: Evolution, Theory, and the Future of a Radical Form
The choreopoem is not merely a relic of the 1970s Black Arts Movement; it is a living, breathing apparatus for liberation. To understand its power is to understand how it dismantles the Western “well-made play” and replaces it with a multidisciplinary fusion of poetry, dance, and music that expresses the nuances of marginalized existence. The…
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Creating Inclusive Theatre For Everyone: Moving Beyond Statements to Practice
Theatre has long been described as a mirror of society. At its best, it reflects humanity, its struggles, and the stories that shape communities. Yet historically, that mirror has not always reflected everyone. For many artists and audiences, theatre spaces have felt exclusive—sometimes intentionally, sometimes unintentionally—but exclusionary all the same. That reality is exactly why…